Wednesday, September 24, 2014

Dispatches From The Culture Of Death Part 2: The Joke Factory Known As Abortion

“Be Sober, be watchful.  Your adversary the Devil prowls around like a roaring lion, seeking someone to devour.  Resist him, firm in your faith.”  (1 Peter 8-9)

     Yesterday in my discussion of an essay by Ezekiel Emmanuel supporting the idea that we should not try to keep people alive beyond 75 years old, I said:

The more often such opinions come from such sources, the less unthinkable such opinions become in the wider world until they eventually become commonplace.  We have seen this strategy employed to perfection in recent years in regard to the redefinition of marriage. 

The Successful Game Plan

The Gay Rights movement, in fact, which eventually brought forth the current Gay Marriage campaign, has been a picture-perfect example of how to bring about a massive change in public perceptions and sentiment.  The strategy was explicitly laid out almost three decades ago in 1987, in an article by Marshall Kirk and Erastes Pill (later expanded into a book) called “The Overhauling Of Straight America” (entire article here). Kirk and Pill call for a graduated media campaign to change public opinion, starting with making homosexuality seem commonplace by talking about it constantly; then by portraying homosexuals as victims, at which point they can enlist supporters outside their own circles by appealing to a sense of justice, and only then seeking to destroy the credibility of any critics by using their media reach to portray opponents  as ignorant haters, bigots, etc.  Anyone who has been paying attention for the last three decades has seen this strategy play out precisely as scripted (we are now in the final “destroy the opposition” phase).
     This idea didn’t start with Kirk and Pill, of course, nor with the Gay Rights movement.  Some might recognize the ideas of master “community organizer” Saul Alinsky, who in turn was simply putting a groovy spin on long-standing communist agitprop doctrine - that’s why the communists were so interested in Hollywood in the thirties and the forties.  Kirk and Pill also saw the potential of the entertainment industry, but they had a resource that was not available to Stalin-era agitators: television.  Therefore:

Where we talk is important. The visual media, film and television, are plainly the most powerful image-makers in Western civilization. The average American household watches over seven hours of TV daily. Those hours open up a gateway into the private world of straights, through which a Trojan horse might be passed. As far as desensitization is concerned, the medium is the message--of normalcy.

“Desensitization” was necessary before the public would accept the rest of the gay rights program, and television did in fact prove to be the perfect medium (feel free explore the links here if you don’t believe that this strategy was employed to the fullest).

If it worked for Gay Marriage, why not abortion?

Mindy Kaling
     This brings us to the curious case of Mindy Kaling, as recounted by Brent Bozell [article here]. Mindy, Bozell tells us, “not only stars in her own sitcom on Fox called “The Mindy Project,” she’s in charge of it.”  Her character on the show is an OB/GYN.  Professional feminist and pro-abortion activist Amanda Marcotte sees Kaling’s show as a ready-made vehicle for the same sort of desensitization that the Gay Rights people carried out so successfully:

Abortion is actually a perfect topic for a half-hour comedy because it touches on so many themes that comedy writers love to mine for the laughs . . . How easy it is, if you let go of the fear of getting letters from anti-choice nuts, to make some really funny jokes about abortion.

     The problem for Marcotte is that most people, even those who are generally in favor of legal abortion, don’t see the humorous potential in the intentional slaughter of innocent life in the womb.  Kaling herself, who doesn’t appear to be pro-life but does seem to know her craft, at first politely rejected the idea of using her show “to make some really funny jokes about abortion”, telling an interviewer: “It would be demeaning to the topic to talk about it in a half-hour sitcom”.  Unfortunately for Mindy, nobody is allowed to sit on the sidelines for this battle, and the abortion industry and its cheerleaders turned up the heat.  Soon she was apologizing for her failure to humorously promote abortion on her program, and has now reached the point where she says she “has faith” that she will find a “hilarious take on abortion that’s saying something new.”  Don’t worry, folks, “The Mindy Project” will be rolling out its abortion laugh-riot any day now.
     This is not the first recent attempt by the abortionists to follow the gay marriage media  playbook: there was the Abortion Comedy “Obvious Child”, and creepy “comedienne” Sarah Silverman has been trying to mine the laugh-potential of abortion for some time.  “Obvious Child”, however, was much more popular with pro-abortion movie critics than it was with the public, so maybe Anthony Esolen is right [see here] that the average person’s innate common sense won’t allow too many of them to be taken in too deeply by the Culture of Death for too long.  Maybe . . . but I’m not sure that he isn’t underestimating the power of people in our fallen state to convince themselves of just about anything, especially if it means the orgy can continue.  Be that as it may, brace yourself: I suspect we’ll be seeing more and more of the “lighter side” of abortion from the entertainment media in the future. Be sober and be watchful . . .