Today we
celebrated the Epiphany liturgy. Tomorrow, the traditional date of Epiphany, it’s back to work, weather permitting.
This seems a good time to reflect on the Christmas season that’s drawing
to a close, especially two movies we watched over the last couple of weeks: A
Christmas Carol (the 1951 English version with Alistair Sim as Scrooge),
and the first installment of Peter Jackson’s take on The Hobbit. As you will see, I have rather more to say
about the latter of the two.
But first we
need to deal with the term “purist”:
whenever someone criticizes the cinematic rendering of a given book, others,
with the slightest of derisive sneers will dismiss him with that label (“purism”,
apparently, being a mindless obsession with minutiae that renders one’s opinion
unworthy of serious consideration). Allow
me to say at the outset that I am not a purist, if that’s what the word
means. I understand that elements that
work in a novel don’t necessarily work on the big screen and vice versa, and
also that a workable movie can include only a small portion of the detail found
in a novel. A movie maker must often
leave out subplots, minor characters, and sometimes condense or even change
events from a book to make a good movie (for instance, when Peter Jackson left
Tom Bombadil out of The Fellowship of the Ring it might have been regrettable, but it was perfectly
understandable).
Not all
such changes, however, are equal. Most
stories operate on two levels: the “surface story” made up of the plot, specific
events and characters, and what can be called
the “sub-story”, which is made up of any deeper meanings, the moral
universe in which the narrative operates, the “character”, if you like, of particular characters, and so on. This is what people often mean by the
“spirit” of the story. Most tales can survive changes to the surface story, if
they are not too many or too extreme, and remain more or less the same
story. Change the sub-story in any
significant way, however, and even those elements of the surface story that
have not been changed can take on a very different meaning, and you can end up
with something that looks very similar, but is in fact very different.
In my next
couple of posts I’ll examine some of the ways the different filmmakers treated
the two books mentioned above, and why it is that the 1951 A Christmas Carol is a
Good Movie, while Peter Jackson’s The Hobbit is a Bad Movie.
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